Games, especially MMO's and Social Gaming exploit their addictiveness to keep people paying them.
Certain TV shows exploit similar addictiveness. CSI, CSI: Miami, CSI: New York, NCIS, NCIS: Los Angeles, Law & Order, Law & Order: SVU, Law & Order: Criminal Intent, Law & Order: Trial by Jury . . . all still supplying ~24 new episodes a year during prime time slots. To put it roughly, 9 days worth of programming that is essentially identical. Then there's the more unique (to some degree) procedurals (IE NUMB3RS, Castle, etc. Incidentally, the only procedurals I like, I can't stand the CSI crap as my mind is violently raped by unscience almost every other episode I watch) that appear.
I personally did stop watching TV for a prolonged period, but for no elitist reason as I love TV . . . perhaps too much. However, I'm satisfied watching only the show, so I'm more a DVD person.
Movies, again, strike at this addictiveness with the 'unnecessary sequels' market. It's one thing when a movie plans multiple parts, a la the Borne trilogy. However, then there are the Bond series that maybe only hit a good movie every 3rd or 4th produced, but still take in millions. Then there are the totally unnecessary sequels that appear because the studios dangled hundreds of millions of dollars off an ACME sized mousetrap to bag a producer.
Books similarly can get into this trouble of unnecessary sequels. I believe Agatha Christie inadvertently suffered this problem as her publishers forbid her from killing off Poirot, it took her 40 years for the novel that killed him off to be published.
Ironically, the most addictive TV shows and books appear to be detective dramas. This is easily illustrated by the fact that Mystery/Crime novels is the biggest market in literature, and by the fact there are over 9 procedurals routinely running during prime time slots, year after year for almost a decade.
Certain TV shows exploit similar addictiveness. CSI, CSI: Miami, CSI: New York, NCIS, NCIS: Los Angeles, Law & Order, Law & Order: SVU, Law & Order: Criminal Intent, Law & Order: Trial by Jury . . . all still supplying ~24 new episodes a year during prime time slots. To put it roughly, 9 days worth of programming that is essentially identical. Then there's the more unique (to some degree) procedurals (IE NUMB3RS, Castle, etc. Incidentally, the only procedurals I like, I can't stand the CSI crap as my mind is violently raped by unscience almost every other episode I watch) that appear.
I personally did stop watching TV for a prolonged period, but for no elitist reason as I love TV . . . perhaps too much. However, I'm satisfied watching only the show, so I'm more a DVD person.
Movies, again, strike at this addictiveness with the 'unnecessary sequels' market. It's one thing when a movie plans multiple parts, a la the Borne trilogy. However, then there are the Bond series that maybe only hit a good movie every 3rd or 4th produced, but still take in millions. Then there are the totally unnecessary sequels that appear because the studios dangled hundreds of millions of dollars off an ACME sized mousetrap to bag a producer.
Books similarly can get into this trouble of unnecessary sequels. I believe Agatha Christie inadvertently suffered this problem as her publishers forbid her from killing off Poirot, it took her 40 years for the novel that killed him off to be published.
Ironically, the most addictive TV shows and books appear to be detective dramas. This is easily illustrated by the fact that Mystery/Crime novels is the biggest market in literature, and by the fact there are over 9 procedurals routinely running during prime time slots, year after year for almost a decade.