Modern in the design sense should refer to the current thinking of the state of the art at inception. The individual gets to choose whether or not something fits their modern sensibilities.
Timeless design taps into sensibilities that transcend popular trends
I'm having a hard time understanding what you've written. The design sense as opposed to what? At the inception of what? What are "modern sensibilities" of an individual as opposed to a culture?
In any case, there's no such thing as "timeless design" in computing, as it's evolving far too fast. Does timeless design mean interfaces that rely on keyboards but not mice? Or mice but not trackpads? Or trackpads but not touchscreens?
The term "modern" under discussion in this article has nothing to do with Modernism in the art world. It's just the regular dictionary and marketing sense.
What would you suggest is a timeless design in computing, then? That we can see holding up as an ideal solution in 1975, 1995, 2015, and today? Because I honestly can't even think of one, and I'm genuinely trying.
I mean, there are basic principles of "don't repeat yourself" and organizing code into functions, but those aren't aspects of design.
> I don’t think you are equipped to discuss design so I will leave it here.
Please don't be insulting. I could just as easily say the same about you -- I can't imagine anyone talking about Shannon's contributions as falling in the category of design -- but please let's not make things personal.
Timeless design taps into sensibilities that transcend popular trends