The opposite delays is an interesting touch. Basically steering the "power alley / valleys" (which of course are a gradient of lobes whose actual positions vary by frequency, but when you're in a 60-80Hz valley, you're in a bad spot) of each LF instrument so that instead of being uniform, the one with kick is angled a little left while the one with bass is angled a little right, so any given member of the audience finding themselves in a valley for one is in the alley of the other. And then the chaotic smearing from EQ tweaks makes the valleys even less stark. Hmm! Definitely one of those "it's good if it works" type things, I suppose. #808